O’Connor, Peter. Walking Good: Travels to Music in Romania and Hungary. London Weidenfeld and Nicolson 1971. vii,112p. OCLC #: 664488. U of T CALL NUMBER: ML/3593/O26 MUSI.
Olsvai, Imre. “Typical variations, typical correlations, central motifs in Hungarian folk music.” Studia Musicologica 4/1-2 (1963), 37-70.
Napocensis, Anonymus. “Methods of Rumanianization employed in Transylvania.” In Witnesses to Cultural Genocide. Ed. G. Schöpflin. New York: American Transylvanian Federation and Committee for Human Rights in Transylvania, 1979, 1979. 57-87. (Citation: Satory, “Táncház in Toronto […].”). UA Faculté Saint-Jean CALL NUMBER: DR 279.92 H8 W57.
Nettle, Bruno. “Béla Bartók and Hungarian folk song.” Etude 74 (Dec. 1956), 10+.
Paksa, Katalin (Budapest, Hungary). “Special structure transformation in the group ‘jaj-nóta’ of Hungarian folk songs.” Studia Musicologica, Academiae Scientiarum Hungaricae (1976). [Citation: Sarosi, “Form-extending dance tunes.” Studia Musicologica, Academiae Scientiarum Hungaricae 34 (1992), 45].
Paksa, Katalin (Budapest, Hungary). “Hungarian folksongs amidst twin-bar and strophic structures.” Studia Musicologica, Academiae Scientiarum Hungaricae (Budapest, Hungary) 19/1-4 (1977), 117. [MI CD-ROM]. U of C CALL NUMBER: ML 5 .S86.
Paksa, Katalin. “Ornamentation system of the the melodies in Volume VI of Corpus Musicae Popularis Hungaricae [q.v.].” Studia Musicologica, Academiae Scientiarum Hungaricae (Budapest, Hungary) 22/1-4 (1980), 137-185. [MI CD-ROM]. U of C CALL NUMBER: ML 5 .S86.
Paksa, Katalin (Budapest, Hungary). “Gyimesi tetraton-triton dálok diszitesi modja [Ornamentation of tetratonic-tritonic tunes in Gyimes].” In: Népzene es zenetörténet. IV 110-56. Music examples, tables. m In Hungarian. U of T CALL NUMBER: ML/3593/N4 MUSI #1-3*4(1972-1982).
Paksa, Katalin. “Stilusjelensegek a magyar népdáldiszitesben [Style and ornamentation in the Hungarian folk song].” Zenetudományi dolgozatok (Budapest : Magyar Tudományos Akadémia Zenetudományi Intézete) (1985) 157-67. Music examples. In Hungarian. LCCN: 84646914 /MN. ISSN: 0139-0732. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Paksa, Katalin. “Line starting ornaments in the Hungarian folk song.” Studia Musicologica, Academiae Scientiarum Hungaricae (Hungary) XXIX/1-4 (1987) 219-36. Music examples. English. U of C CALL NUMBER: ML5 .S86.
Paksa, Katalin. “Népdáldiszites es népzenei dialektusok [Folk song ornamentation and folk music dialects].” Zenetudományi dolgozatok (Budapest: Magyar Tudományos Akadémia Zenetudományi Intézete) (1987) 151-71. Illustration, music examples. In Hungarian; summary in English. LCCN: 84646914 /MN. ISSN: 0139-0732. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Paksa, Katalin. “Connection of style and dialect in the ornamentation of Hungarian folksongs.” Studia Musicologica, Academiae Scientiarum Hungaricae 34/1-2 (1992), 73-80. U of C CALL NUMBER: ML5 .S86.
Papp, Geza. “Stilelemente des fruhen Werbungstanzes in der Gebrachmusik des 18. Jahrhunderts. [Stylistic traits of the early verbunkos dance in Gebrauchsmusik of the 18th century].” In: Musica antiqua. III. Music examples. In German; summary in Polish. U of C CALL NUMBER: ML36 .F46 V.3 1972. 1 LIBONLY. LOCATION: 9LT.
Pávai, István. Az erdélyi és a moldvai magyarság népi tánczenéje [Folk dances of Transylvanian and Moldvian Hungarians]. Budapest: Planetás, 1993. 430 p. In Hungarian; summary in English.
Peer, Rene van. “The glass dance-house.” Musicworks: The Journal Of Sound Exploration no. 50 (summer 1991), p. 42-48. ISSN: 0225-686X. Illus., discog., maps. English. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 205.5 M98.
Pesovár, Ernő. “Lajtha László es a néptánckutatas [László Lajtha and folk-dance research].” Magyar zene 34 no. 1 (Mar 1993), p. 54-56. ISSN: 0025-0384. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Pesovár, Ernő and Ágoston Lányi. A magyar nép táncművészete I: Néptánciskola [The art of Hungarian folk dance I: folk dance method]. Ed. László Vásárhelyi. Budapest: Népművelési Propaganda Iroda, 1984 (?). 206 p. ISBN: 963 563 003 4. ISBN 963 563 005 0.
Pesovár, Ferenc. Beres vagyok, beres [I am a farm hand, a farm hand]. Székesfehervar: n.p., 1982. Illustration, portrait, facsimile, music examples, bibliography. In Hungarian. U of T CALL NUMBER: M/1706/B47/1982 MUSI.
Póczonyi, Mária. Népzene és zeneirodálom [Folk music and music literature].[Budapest] : Népmuvelési Propaganda Iroda, [1983]. 160 p. ; 20 cm. SERIES: Néptáncpedagógusok kiskönyvtára. Includes music and indexes. Bibliography: p. 158-159. Hungarian. LCCN: 81474907 /MN. OCLC #: 1740994. ISBN: 9635630808 9635620195 : 21.00Ft. U of T CALL NUMBER: ML/3593/P6/1983 MUSI.
Porter, James. “Record review.” Ethnomusicology (USA) XXVII/1 (January 1983) 165-67. English. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 1 E84.
Racz, Ilona (Budapest, Hungary). “Bartók Béla Csik megyei pentaton gyujtese 1907-ben [Béla Bartók’s pentatonic collection from the county of Csik (1907)].” In: Népzene es zenetörténet. 9-62. Facsimile, index. In Hungarian. U of T CALL NUMBER: ML/3593/N4 MUSI #1-3*4(1972-1982).
Racz, Ilona; Szalay, Olga (Budapest, Hungary). “Mutatok Bartók dállamrendjehez [Indexes to Bartók’s system of melodies].” Zenetudományi dolgozatok (Budapest : Magyar Tudományos Akadémia Zenetudományi Intézete) (1981) 353-98. Index. In Hungarian U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Rajeczky, Benjamin. “Old and new singing styles in Hungarian folk song.” Journal of the International Folk Music Council 12 (Jan. 1960), 56-61.
Rajeczky, Benjamin (Budapest, Hungary). “A magyar népzenei hanglemezek [Recordings of Hungarian folk music].” Ethnographia (Hungary) LXXXIII/2-3 (1972) 370-73. Discography. In Hungarian.
Rajeczky, Benjamin (Budapest, Hungary). “Zur Frage der asymmetrischen Rhythmen in der ungarischen Volksmusik [Concerning the question of asymmetrical rhythms in Hungarian folk music].” In: Hoerburger Festschrift. 85-95. In German.
Rajeczky, Benjamin (Budapest, Hungary). Magyar népzene, III. A Magyar Tudományos Akadémia gyujtemenyebol. Hungarian folk music, III. From the collection of the Hungarian Academy of Sciences. Budapest: Hungaroton LPX 18050-53, 1981. 3 v. 20 p. Music examples. In Hungarian; summary in English.
Rearick, Elizabeth C. (Elizabeth Charlotte), 1899-. “Dances of the Hungarians [microform].” [S.l.: s.n.] Teachers College, Columbia U., NY, 1939. viii, 151 p. : ill., mag. music ; cm. SERIES: Contributions to education. 770. Physical education theses on microfiche UO.74. COMMENTS: Describes folk customs in Hungary and Transylvania, state of music and dance research in pre-war Hungary and the west. UA Coutts Basemt Micromaterial. 1. CALL NUMBER: GV 02 0001 UO-74 0319-320 — (2 fiche) — MICROFICHE -Available.
“Record reviews: Transylvanian Wedding Music.” Ethnomusicology 28/3 (1984), 584-5. [MI CD-ROM]. COMMENTS: Cursory treatment. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 1 E84.
Sárosi, Bálint (Budapest, Hungary). “Gypsy musicians and Hungarian peasant music.” Yearbook of the International Folk Music Council Int (see: Yearbook for traditional music, USA) II (1970) 8-27. English. 76-13444-ap. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 1 I614.
Sárosi, Bálint (Budapest, Hungary). “Elo népzene? [Living folk music?].” Urbe: Rivista romana (Italy) XII/1 (January 1972) 97-102. In Hungarian.
Sárosi, Bálint (Budapest, Hungary). “‘Népmuveszek’ korszaka a magyar népzenében [The period of ‘folk artists’ in Hungarian folk music].” Néprajz (Hungary) (1972) 25-35. Portrait. In Hungarian.
Sárosi, Bálint. “Instrumental ensembles in Ungarn [Instrumental ensembles in Hungary].” Studia Instrumentorum Musica Popularis II 116-36. Music examples. German.
Sárosi, Bálint (Budapest, Hungary). “A verbunkos bolcsojenel [The origin of the verbunkos].” Irodálomtorteneti Kozlemenyek /Literary History Communication (Hungary) LXXVII (May 1973) 563-66. Hungarian.
Sárosi, Bálint and Geza PAPP. “Zur Geschichte der ungarischen Tanzmusik, Probleme des Werbungstanzes [On the history of Hungarian dance music: problems of the courting dance].” In: Studia instrumentorum musicae popularis IV. Bericht uber die 4. Internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council in Balatonalmadi 1973 [Studia instrumentorum musicae popularis. IV. Report on the 4th international workshop of the Study Group on Folk Musical Instruments of the International Folk Music Council in Balatonalmadi, 1973]. Series: Musikhistoriska museets skrifter. Ed. Erich STOCKMANN. 6, (Stockholm: Musikhistoriska museet, 1976). 147 p. In German, English.
Sárosi, Bálint (Budapest, Hungary). “Instrumentale Volksmusik in Ungarn [Instrumental folk music in Hungary].” Studia Instrumentorum Musica Popularis 115-41. Music examples. In German. German.
Sárosi, Bálint. Gypsy Music. Translated by Fred Macnicol. [Budapest] : Corvina Press, c1978. 286 p., [22] leaves of plates : ill. (some col.) ; 20 cm. COMMENTS: Translation of Cigányzene. Includes indexes. UA Rutherford N Floor 2 Music. CALL NUMBER: ML 3593 S34 E5 1978 — c.1 — BOOK – Available
Sárosi, Bálint (Budapest, Hungary). “Népzene 10. Szoveges népzenenk regi retegeirol [Folk music, 10. The old strata of our texted folk music].” Muzsika (Hungary) XXII/10 (October 1979) 39-44. Illustration, music examples. In Hungarian.
Sárosi, Bálint (Inst. of Musicology, Budapest, Hungary). “Professionelle und nichtprofessionelle Volksmusikanten in Ungarn [Professional and non-professional folk musicians in Hungary].” Studia Instrumentorum Musica Popularis. 10-16. In German.
Sárosi, Bálint (Budapest, Hungary). “Hangszeres dállamok szoveggel [Instrumental folk tunes with text].” Magyar zene (Hungary) XXIII/1 (March 1982) 89-101. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. (Budapest, Hungary). “Sackpfeifenrepertoire [Repertory for bagpipes].” In: Becker Festschrift. 358-65. Music examples. In German.
Sárosi, Bálint. “Bartók’s folk music recordings.” New Hungarian Quarterly 25, no. 94 (summer 1984), p. 217-220. ISSN: 0028-5390. English. 92-07397-ap. COMMENTS: Mostly technical considerations: format, cataloguing &c.] UA Rutherford North Flr 3. 1. CALL NUMBER: DB 901 N53
Sárosi, Bálint. “Chromatik mit ubermassiger Sekunde in der ungarischen Volksmusik [Chromaticism with augmented seconds in Hungarian folk music.” Series: Reinhard Gedenkschrift 185-95. In German.
Sárosi, Bálint. “An instrumental melody.” Yearbook of the International Folk Music Council Int (see: Yearbook for traditional music, USA) XVII (1985) 198-205. Facsimile, music examples, bibliography. English. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 1 I614.
Sárosi, Bálint. “Methodische Erfahrungen bei der historischen Erforschung der instrumentalen Volksmusik in Ungarn [Findings and methods in instrumental folk music research in Hungary].” Beitrage zur Musikwissenschaft (Germany) XXVII/2 (1985) 167-173. Music examples. In German. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 5 B42
Sárosi, Bálint. “Egy hangszeres dállam [An instrumental monody].” Magyar zene (Hungary) XXVI/1 (March 1985) 64-69. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. “The return to folk music.” New Hungarian Quarterly 26, no. 98 (summer 1985), p. 206-209. ISSN: 0028-5390. English. UA Rutherford North Flr 3. 1. CALL NUMBER: DB 901 N53.
Sárosi, Bálint. Folk Music: Hungarian Musical Idiom. Budapest: Corvina, 1986. 188 p. English. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 3593 S339 E5 1986. SEE ALSO: Hungarian Instrumental Folk Music [sound recording]. Edited by Bálint Sárosi. Hungary : Hungaroton, p1980. 3 sound discs : 33 1/3 rpm, monaural ; 12 in. COMMENTS: Title on discs: Magyar hangszeres népzene. Program booklet (28 p., illus.) in Hungarian and English. CALL NUMBER: M 1706 H937 1980 — c.1 — MUSICSOUND – Available.
Sárosi, Bálint. “A hangszeres magyar népzene ütempáros rétege [The twin-barred layer of Hungarian instrumental folk music].” Magyar zene (1987), 335-378. [Citation: Sarosi, “Form-extending dance tunes.” Studia Musicologica, Academiae Scientiarum Hungaricae 34 (1992), 45].
Sárosi, Bálint. “A hangszeres magyar népi dállam. II-V [The Hungarian instrumental folk-tune. II-V].” Magyar zene, Hungary XXIX/1, 2, 3, 4 (1988) 28-42; 197-218; 237-50; 351-78. Music examples, bibliography. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. “Magyar nóta es néphagyomany [The Hungarian popular song and folk tradition].” Nyelvunk es kulturank no. 75, 1989, p. 49-64. Music. Hungarian.
Sárosi, Bálint. “A hangszeres magyar népi dállam. VI-VII [The Hungarian instrumental folk-tune. VI-VII].” Magyar zene 30, no. 2, June 1989, p. 115-135. ISSN: 0025-0384. 30, no. 3, Sept 1989, p. 250-274. Music, bibliog. Hungarian.
Sárosi, Bálint. “Forming of variants in the instrumental music.” In: Maqam–Raga–Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion [Symposium: Berlin, 1988]. Berlin: International Council for Traditional Music, Nationalkomitee DDR, 1989. p. 325-330. Music.
Sárosi, Bálint. “Spezielle Fragen der Anordnung der instrumentalen Melodien [Special questions on the ordering of instrumental melodies].” Musicologica slovaca no. 16, 1990, p. 211-222. ISSN: 0581-0558. Music. German.
Sárosi, Bálint. “Ein Melodietypus in der ungarischen Volkstanzmusik [A melody type in Hungarian folk-dance music].” In: Dorfliche Tanzmusik im westpannonischen Raum. Wien, Austria: Schendl, 1990. p. 255-262.
Sárosi, Bálint. “Egy ‘jaj-nóta’ [A jaj-nóta].” Magyar zene 32, no. 2 (June 1991), p. 181-184. ISSN: 0025-0384. Music. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. “A hangszeres magyar népi dállam: Valtozo strofak [The Hungarian instrumental folk-tune: Changing strophes].” Magyar zene 32, no. 3 (Sept 1991), p. 266-83. ISSN: 0025-0384. Music. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. “A hangszeres magyar népi dállam: Hangszeres táncdarab [The Hungarian instrumental folk-tune: Instrumental dance pieces].” Magyar zene 32, no. 4 (Dec 1991), p. 374-385. ISSN: 0025-0384. Hungarian.
Sárosi, Bálint. “Form-extending dance tunes.” Studia Musicologica, Academiae Scientiarum Hungaricae, (Hungary) 34/1-2 (1992), 45. U of C CALL NUMBER: ML5 .S86.
Sárosi, Bálint. “A hangszeres magyar népi dállam. Peldak a legujabb retegbol [Hungarian instrumental folk tunes: Examples of the newest layer].” Magyar zene 33, no. 1 (Mar 1992), p. 56-66. ISSN: 0025-0384. 33, no. 3, Sept 1992, p. 241-254. Bibliog. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Sárosi, Bálint. “Southern and Eastern Europe: Hungary and Romania.” In Myers, Helen, Ed. Ethnomusicology. II: Historical and Regional Studies. London: Macmillan, 1993. xxviii, 541 p. ISBN: 0-333-57632-2; 0-333-44444-2. Series: The new Grove handbooks in music New York: Norton, 1993. ISBN: 0-393-03378-3. Port., bibliog. English. UA RuthN Flr2 Music Reserve. 1. CALL NUMBER: ML 3799 E87 1992
Sárosi, Bálint. “Instrumental folk music in Transylvania.” The Hungarian Quarterly 35 (Spring 1994), 179-86. U of A CALL NUMBER: DB 901 N532.
Sárosi, Bálint. A hangszeres magyar nepzene. Budapest: Puski, 1996. 264 p.: ill.; 25 cm. Includes bibliographical references (p. 138-144) and indexes. ISBN: 9638256737.
Sárosi, Bálint. “Hungarian Gypsy Music: Whose Heritage?”. The Hungarian Quarterly 38/147 (Autumn 1997), 133-39. COMMENTS: A polemic on recent writings by Patrick Williams and Alain Antonietto.
Satory, Stephen. “Táncház in Toronto: a transplanted tradition.” Canadian University Music Review/ Revue de musique des universités canadiennes 8 (1987), 45-61. [MI CD-ROM]. UA Rutherford N Flr.2 CALL NUMBER: MT 2 C232 no. 8 1987.
Sebok, László. Magyar néve? Határokontúli helységnév-szótár/összeállítótta és a bevezetést irta [Reference guide to Hungarian place names beyond Hungary’s borders]. Budapest: Arany Lapok, 1990. 267 p. : ill., maps ; 23 cm. LC CALL NUMBER: DJK7 .S4 1990. COMMENTS: Hungarian, with some German, Romanian, Russian, Serbo-Croatian, and Slovak. ISBN: 9630284553: 168.00Ft. LCCN: 92-199490. (Citation: Sebok, “The demography of a minority.”)
Sebok, László. “The demography of a minority.” The Hungarian Quarterly 35 (Spring 1994), 83-89. U of A CALL NUMBER: DB 901 N532.
Siklos, László. Táncház. Budapest: Zenemukiado, 1977. (Citation: Balázs, “Young people’s folk music movement in Hungary […]” [q.v.], p. 41.)
Slobin, Mark. “Review of recording: Hungarian instrumental folk music.” Ethnomusicology (USA) XXIX/2 (spring-summer 1985) 363-68. English. UA Rutherford N Floor 2 Music. 1. CALL NUMBER: ML 1 E84.
Spur, Endre. “A supplementary note on the Gypsy orchestras of Hungary.” Journal of the Gypsy Lore Society (1937), 106-110. (Citation: Sarosi, “Gypsy musicians and Hungarian peasant music,” [q.v.], 8.)
Spur, Endre. “The language and status of the Gypsy orchestras of Hungary.” Journal of the Gypsy Lore Society (1938), 46-58. (Citation: Sarosi, “Gypsy musicians and Hungarian peasant music,” [q.v.], 8.)
Starkie, Walter. Raggle-Taggle: Adventures with a Fiddle in Hungary and Roumania. London, John Murray, 1933. xvi, 399 p. Out of print.
Suchoff, Benjamin (Trustee, Béla Bartók Estate, NY). “Béla Bartók and Hungarian folk song.” In: The Folk Arts of Hungary. Papers Presented at a Symposium, Duquesne University, Pittsburgh, Pennsylvania, April 1980. Edited by W.W. KOLAR and A.H. VARDY [q.v.] (Pittsburgh: Tamburitza, 1981) 147-59. Facsimile, music examples. English. UA Rutherford North Flr 4. 1. CALL NUMBER: NX 571 H8 F666 1981 — c.1 — Book — Available
Szalay, Olga. “A moldvai dialektus nehany sajatossaga Veress Sandor gyujtese alapjan [Some peculiarities of the Moldavian dialect on the basis of Sandor Veress’s collection].” Zenetudományi dolgozatok (Budapest : Magyar Tudományos Akadémia Zenetudományi Intézete) (1988) 183-202. Music examples, charts, tables. In Hungarian; summary in English. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Szell, Jeno, editor. ‘Huzzad, huzzad Muzsikásom’: A hangszeres népzene feltamadasa [The revival of instrumental folk music in Hungary (‘Come on, play the tune, my musician!’)]. Budapest: Muzsak, 1986. 215 p. Illustration, discography. In Hungarian. U of T CALL NUMBER: ML/3593/H89/1984 MUSI.
Szendrei, Janka (Budapest, Hungary). “Recitativ tipusok a magyar népzenében [Recitative types in Hungarian folk music].” In: Népzene es zenetörténet. 65-123. Music examples. In Hungarian; summary in English. U of T CALL NUMBER: ML/3593/N4 MUSI #1-3*4(1972-1982).
Tari, Lujza (Budapest, Hungary). “Die instrumentale Volksmusik im ungarischen Begrabnisriten [Instrumental folk music in Hungarian funeral rites].” Studia Musicologica, Academiae Scientiarum Hungaricae (Hungary) XVI/1-4 (1974) 55-87. In German. U of C CALL NUMBER: ML5 .S86.
Tari, Lujza (Budapest, Hungary). “A becsi klasszikus zene es a verbunkos stilaris kotdese egy tematipusban [Stylistic relationship between Viennese Classicism and verbunkos in one type of melody].” Zenetudományi dolgozatok (Budapest: Magyar Tudományos Akadémia Zenetudományi Intézete) (1983) 33-51. Music examples, index. In Hungarian. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Tari, Lujza (Budapest, Hungary). “Die Bedeutung Zoltán Kodálys in der Forschung der instrumentalen Volksmusik [The significance of Zoltán Kodály in instrumental folk-music research].” Studia Musicologica, Academiae Scientiarum Hungaricae (Hungary) XXVI (1984) 175-99. In German. U of C CALL NUMBER: ML5 .S86.
Tari, Lujza (Budapest, Hungary). “Strofaelvu temaepitkezes es motivikus periodizalas a hangszeres népzenében [Thematic construction in strophes and motivic periodization in instrumental folk music].” Magyar zene (Hungary) XXV/1 (March 1984) 73-91. Music examples. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Tari, Lujza. “A jaj-nóta kérdés [The question of the ‘jaj-song’].” Magyar zene (1985), 148-200. [Citation: Sarosi, “Form-extending dance tunes.” Studia Musicologica, Academiae Scientiarum Hungaricae 34 (1992), 45].
Tari, Lujza; Szell, Jeno. “Hungarian folk music on the Hungaroton label.” Hungarian Music News 4, no. 1 (1987), p. 25-30. ISSN: 0441-5973. Port., discog. English. 91-00755-ap. U of T CALL NUMBER: ML/5/H86 MUSI v. 1(1984)-4(1987).
Tari, Lujza. “Die ungarische Volksmusik [Hungarian folk music].” Zbornik Matice Srpske za scenske umetnosti i muziku no. 4-5, 1989, p. 51-71. ISSN: 0352-9738. Music. German. Summary in Serbian.
Tari, Lujza. “Collection of instrumental folk music in Hungary and its systematisation.” Narodna umjetnost no. 3, special issue (1991), p. 243-258. ISSN: 0547-2504. Music. English. Summary in Croatian.
Tari, Lujza. “Lajtha László hangszeres népzenegyujtesei: 1911-1963 [László Lajtha’s collection of instrumental folk music (1911-1963)].” Magyar zene 33, no. 2 (June 1992), p. 141-190. ISSN: 0025-0384. Illus., facs., music. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Tari, Lujza. “Lajtha László, a paloc hangszeres zene kutatoja [László Lajtha: Researcher of Paloc instrumental folk music].” Magyar zene 34 no. 1 (Mar 1993), p. 60-84. ISSN: 0025-0384. Facs., music, charts, tables. Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Vargyas, Lajos. “Folk Music Research in Hungary.” Studia Musicologica, Academiae Scientiae Hungaricae 1/3-4 (1961), 433-49.
Vargyas, Lajos. Folk Music Research in Hungary. Budapest Akadémiai Kiadó, Pub. House of the Hungarian Academy of Sciences 1964. OCLC #: 233670. U of T CALL NUMBER: ML/3593/V37 MUSI.
Vargyas, Lajos. “A magyar foklor-hagyomany es Kelet-Europa [Hungarian folklore tradition and Eastern Europe.” In: Szabolcsi Festschrift. 391-98. Music examples. In Hungarian; summaries in German, English. Hungarian; German; English.
Vargyas, Lajos, ed. Népzene es zenetörténet II [Folk music and the history of music, II]. Budapest: Ed. Musica, 1974. 235 p. F 48. Illustration, facsimile, music examples, bibliography. In Hungarian; summary in English. U of T CALL NUMBER: ML/3593/N4 MUSI #1-3*4(1972-1982).
Vargyas, Lajos, ed. Népzene es zenetörténet, III [Folk music and music history, III]. Budapest: Musica, 1977. 284 p. Ft 45. Illustration, music examples. In Hungarian; summaries in English, German. U of T CALL NUMBER: ML/3593/N4 MUSI #1-3*4(1972-1982).
Vargyas, Lajos. “Protohistoire de la musique hongroise.” Studia Musicologica, Academiae Scientiarum Hungaricae, 20/1-4 (1978) 3-73. Bibliog. Il. [MI CD-ROM]. U of C CALL NUMBER: ML5 .S86.
Vargyas, Lajos. A magyarság népzenéje [The folk music of the Hungarians]. Budapest : Zenemukiadó, c1981. 623 p. : music ; 24 cm. Includes indexes. Bibliography: p. 383-391. OCLC #: 1511909. ISBN: 9633303001 : 124.00Ft. U of T CALL NUMBER: ML/3593/V374 MUSI.
Vargyas, Lajos. “Bartók and folk music research.” The New Hungarian Quarterly 22/83 (1981), 58-70. UA Rutherford N Flr 2 CALL NUMBER: DB 901 N53
Vargyas, Lajos (Budapest, Hungary). “Magyarság a népzenében: A vilagosan tagolt forma [What makes a folk music Hungarian: The clearly divided form].” In: Keleti hagyomany – nyugati kultura. Edited by Lajos VARGYAS. Budapest: Szepirodálmi Konyvkiado, 1984. 156-65 In Hungarian.
Vargyas, Lajos. “A népies mudál es az uj stilusu népdál kapcsolatai [The connection between the Hungarian popular art song and the new-style folk song].” Zenetudományi dolgozatok (Budapest: Magyar Tudományos Akadémia Zenetudományi Intézete) (1985) 133-39. In Hungarian. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Vargyas, Lajos. “Miert valasztottuk a La-pentatoniat? [Why did we choose La-pentatonic?].” Magyar zene (Hungary) XXIX/3 (September 1988) 232-36. Music examples. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Vargyas, Lajos. “Népzene [Folk music].” In: Népzene, néptánc, népi jatek. Budapest: Akadémiai, 1990. p. 5-183. Music.
Vargyas, Lajos, ed. A magyar népzene tara. 8/A-B: Népdáltipusok. III [q.v.] [Collection of Hungarian folk music. 8/A-B: Folksong types. III]. Budapest: Akadémiai, 1992. 2 vols. 1741 p. ISBN: 963-05-6450-5. Budapest: Balassi, ISBN: 963-05-6451-3. Music. Hungarian. Summary in English.
Vargyas, Lajos. “Kodály, a tudos [Kodály the scholar].” In: Kodály Zoltán es Szabolcsi Bence emlekezete. Kecskemet: Kodály Intezet, 1992. p. 16-21. Hungarian. Summary in English and German.
Vari Fabian, László, ed.; Transcribed by Horvath, Jozsef G.; Transcribed by Rudas, Marta; Comm. by Paksa, Katalin. “Vannak ringo bolcsok”: Karpataljai magyar népballadak [“There are cradles to rock him”: Hungarian folk ballads in Sub-Carpathia (Ruthenia)]. Series: Karpataljai magyar konyvek no. 6. Ungvar: Intermix, 1992. 407 p. ISBN: 963-8129-03-4. Budapest: Intermix, 1992. Music. Hungarian.
Varnai, P. “Hungarian folk music.” Canon 17/2 (1965), 12-14.
Verdery, Katharine. Transylvanian Villagers. Berkely: U. of California Press, 1983. (Citation: Satory, “Táncház in Toronto […].”) UA Rutherford Flr. 3 CALL NUMBER: DR 280.4 V48 1983.
Veress, Bulcsú. “The status of minority rights in Transylvania: international legal expectations and Romanian realities.” In Transylvania: the Roots of Ethnic Conflict. Ed. J.F. Cadzow et al. Kent OH: Kent State U. Press, 269-88. (Citation: Satory, “Táncház in Toronto […].”) UA Rutherford Flr. 3 CALL NUMBER: DR 279.8 T77 1983.
Vikár, László. “Szoveg es dállam kapcsolata [The relationship of text and melody].” Nyelv Tudományi Kozlemenyek/Linguistic Studies 85 no. 2 (1983), p. 449-453. ISSN: 0029-6791. Hungarian.
Vikár, László (Budapest, Hungary). “Nehany szo a magyar pentatoniarol [Some thoughts on Hungarian pentatonicism].” Magyar zene (Hungary) XXV/2 (June 1984) 207-09. Music examples. In Hungarian. U of T CALL NUMBER: ML/5/M33 MUSI evf 1(1960); 2, sz. 1-5; 3, sz. 2-6; 4(1963)+ CURRENT ISSUES IN: MUSIC.
Vikár, László. “Also kvartvaltas a volga-kamai es a magyar népzenében [Lower-fourth shifts in Hungarian folk music and in that of the Volga-Kama region].” Zenetudományi dolgozatok (Budapest: Magyar Tudományos Akadémia Zenetudományi Intézete) (1986), 125-39. In Hungarian. U of T CALL NUMBER: ML/55/Z48 MUSI 1987.
Vikar, László and Gábor Bereczki. Chuvash Folksongs. Trans. Imre Gombos. Rev. Laurence Picken. Budapest, Akadémiai Kiadó, 1979. 579 pp. Illustrations.
Virágvölgyi, Márta and László Felfödi, eds. A széki hangszeres népzene [The instrumental folk music of Szék]. Budapest: Planetás, 2000. 463 p. In Hungarian, summary in English.
Voigt, Vilmos. “Ungarn ein Musterbeispiel fur Volksmusikpflege? [Can Hungary serve as a model for the cultivation of folk music?].” In: Tradition und Innovation in der Volksmusikpflege. Modling: Internationale Organisation fur Volkskunst, 1991. p. 29-46
Weissmann, John S. “Hungary: recent advances in folk music research.” Ethnomusicology 8/1 (1964), 49-53.
Williams, Patrick. Les tsiganes de Hongrie et leurs musiques [The gypsies of Hungary and their musics]. Arles: Cite de la musique: Actes sud, 1996. 142 p.: ill.; 18 cm. + 1 sound disc (42 min.: digital; 4 3/4 in.). SERIES Musiques du monde. Includes bibliographical references (p. 135-[137]), discography (p. 138-[139) and index. ISBN: 2742709436. COMMENTS: Criticized by Sárosi in “Hungarian Gypsy Music: Whose Heritage?”. The Hungarian Quarterly 38/147 [q.v.].
Yaxiong, Du. “The ancient quint-construction in Hungarian folksongs.” Chinese Music [Chinese Music Society of North America, Woodridge IL] 15/2 (1992), 24-33. Bibliog. Map. Mus. Table. [MI CD-ROM]
